Barking Dog: May 26, 2022

  • Gordon Bok, Ann Mayo Muir - The Brandy Tree

    • Bok is a folklorist and musician from Maine who’s released almost 40 albums since the mid-1960s

    • Muir is a singer, arranger and multi-instrumentalist from Michigan

    • Bok and Muir were part of a trio with Maryland folksinger Ed Trickett for over 30 years

    • This is off Bok’s 1972 album Seal Djiril's Hymn

    • In the liner notes of the album, he says of this song, “I learned this from a small otter on Sherman's Point, Knox County, Maine, on a cold morning in 1966. The refrain is my own.”

  • Ian & Sylvia - Handsome Molly

    • Ian & Sylvia performed together from 1959 until their divorce in 1975

    • That recording is from their 1962 self-titled album

  • Jake Xerxes Fussell - Breast of Glass

    • Durham, NC artist who grew up travelling across the southeast US with his folklorist father

    • Off his album Good and Green Again, released earlier in the year

    • A love song from the “Handsome Molly” song family

    • It’s an Appalachian folk song, though it’s possible it has its roots in older English ballads

  • Joe Glazer - Shine On Me

    • He was a folk musician and labour activist from New York who recorded over 30 albums during his career

    • Off his 1975 album Textile Voices: Songs and Stories of the Mills

    • As he notes, this song was adapted from the traditional American spiritual of the same name

  • Fred Eaglesmith - Do You Love Me Now

    • He’s an Ontario musician who hopped a freight train going west as a teenager and began writing and performing his music

    • This is from his first album, from 1980, called Fred J. Eaglesmith

  • Dock Boggs - Sugar Baby

    • Influential old-time musician from Norton, Virginia who recorded in 1927 and 1929 but worked as a coal miner much of his life

    • Song known variably as Sugar Baby, Red Rocking Chair, and Red Apple Juice, amongst other names

    • Recorded March 9, 1927, meaning it is likely the first recording of the song and is one of the earliest country music recordings

    • This song wasn’t written by Boggs, as it was recorded on paper in 1909 by EC Perrow and undoubtedly existed long before then, but this recording was included on Harry Smith’s very influential 1952 Anthology of American Folk Music which contributed greatly to the resurgence of folk music in North America and which also resulted in the revival of Boggs’s music career in the later part of his life

  • Aggeok Pitseolak - Illukitaaruti (Juggling Song)

    • Off a 1976 album of Inuit songs and games

    • This is a song that accompanies a juggling game

  • Star Thistle - Bigger Than Me

    • A project from the mind of Winnipeg artist Uncle Sinner

    • This is from Star Thistle’s debut album, The Best of Star Thistle, released last year

  • Sis Cunningham - Great Dust Storm

    • Important member of the folk community for many years

    • Founding editor of Broadside Magazine, an important publication for the Greenwich Village folk scene

    • One of the first people to be blacklisted as a communist sympathiser in post WWII America

    • That one was written by dust bowl balladeer Woody Guthrie

  • Jesse Fuller - Just Like a Ship on the Deep Blue Sea

    • Was an American one-man band born in Georgia in 1896

    • Though he had already learned two styles of guitar by the age of 10, he only decided to try making a living from music in the early 1950s

    • Started by working locally in clubs and bars in San Francisco and other nearby cities, but became better known by performing on TV

    • In 1958, when he was 62, Fuller recorded his first album

    • He could play multiple instruments simultaneously, using a harmonica holder to hold a harmonica, a kazoo, or a microphone, playing guitar, and tap-dancing or soft-shoeing as he played

    • This seems to be his own song

  • Old Man Luedecke - This May Hurt a Bit

    • From Chester, NS

    • This is from his 2015 album Tender is the Night

  • Kacy & Clayton - Brunswick Stew

    • From Wood Mountain, SK

    • It’s from their 2016 album Strange Country

  • Paul Clayton - The Seaman’s Grave

    • Clayton was an American folksinger and a folklorist who specialised in traditional music

    • From a 1956 album of Massachusetts ballads of land and sea

    • This song is from the log of the Lucy Ann of Wilmington, Delaware, for the years of 1837-1839

    • It would be sung on the occasion of a sailor’s death, when he was given a “traceless grave” wherever the ship was at the time

    • The liner notes of this album provide a good description of a sea burial, given in the personal journal of Robert Ferguson on October 18, 1880: “This morning we took the man who fell from aloft and sewed him up in an old piece of canvas, with iron at his feet to sink him. We laid the body on the gangplank, shoved it out, hauled back the main yard and when the captain said, "All ready, " Mr. Gifford tilted the board and let him slide over the side to a sailor's grave, without a word or a prayer or a funeral service ... "

    • This song was either written by Edwin Hubbell Chapin and published in 1839, and it’s possibly about a Massachusetts sailor named Henry M Bonney

    • We’ll hear a related song after this

  • Slim Critchlow - The Cowboy’s Lament

    • He was a park ranger and musician from Utah who started out playing with an old-time group on twice-weekly broadcasts in 1930

    • In 1956, he began appearing at folk festivals in California, wearing cowboy regalia and cowboy songs on his 8-string guitar

    • This is one of the oldest, and perhaps one of the best known old-time cowboy songs

    • It was adapted from the sea song The Sailor’s Grave, a version of which we heard before that, performed by

  • Charlie Sangster - I’m Gonna Tell God How You Treat Me

    • Born into a musical family in Brownsville, Tennessee in 1917

    • Learned to play mandolin and guitar at the age of 12

    • This song is more commonly known as I’m Gonna Cross the River of Jordan, and it’s the same song as the Welcome Table and Jacob’s Ladder, though different versions have varying lyrics that tend to emphasise different aspects of the song

    • It’s a traditional American gospel song likely written by an enslaved person

    • The song later became an anthem of the Civil Rights Movement in the 1950s and 60s

  • The Osmond Davis Band - Tear My Stillhouse Down

    • Manitoba

    • This song is by well-known contemporary roots musician Gillian Welch

    • She released it in 1996

  • Godfrey & Tod - Woman at the Well

    • Contemporary old-time duo from Calgary

    • Nathan M Godfrey and Mike Tod

    • This is a traditional American gospel song

  • Preston Fulp - Renfro Valley

    • He was a North Carolina artist who worked in sawmills for much of his life, playing music on weekends and at special events in the community

    • This song has become a country classic through versions recorded by Marty Robbins and Tex Ritter, though it was first recorded in the 1920s

    • It’s more commonly known as Lamp Lighting Time in the Valley

  • Karen Dalton, Richard Tucker - When First Unto This Country

    • American singer, guitarist, and banjo player known for her association with the 60s Greenwich Village folk music scene—including with artists Fred Neil and Bob Dylan

    • She was largely unrecognized for her contributions to the folk genre during her life, but has become an important influence for artists like Nick Cave, Devendra Banhart, and Joanna Newsom

    • From a newly released album of live recordings from 1963, called Shuckin’ Sugar, the reel-to-reels of which were rediscovered in 2018

    • She’s joined by Richard Tucker on this one, who was her husband with whom she often performed

    • Every version of this song seems to come from a family called the Gants, whom the Lomaxes, a family of folklorists who collected folk music from across the United States, recorded in 1934

    • It was likely relatively new when they made the recording, though some have noted that it has a frontierish feel

  • Ferron - Slender Wet Branches

    • She’s a Canadian musician and poet from BC

    • This is off her 2013 album Thunder and Lighten-ing

  • Tsembel - Colours Side by Side

    • From a 1991 album of Mongolian traditional music

    • At the time of recording, Tsembel was a 46-year-old librarian in the town of Bulgan

    • This is a dance tune played on the tobshuur

  • Ernest Sellick - Drimindown

    • From the folklorist Helen Creighton’s 1962 album of music from the Maritime provinces

    • Sellick, from Charlottetown, PEI learned this song from his father, who used to sing it as a bedtime song

    • It’s described as a humorous lament, and is quite possibly Irish in origin

  • Dyad - Henry Lee

    • From Victoria, BC

    • Off their 2006 album No Pedlars Or Preachers

    • Dick Justice’s recording of this song was included on Harry Smith’s very influential 1952 Anthology of American Folk Music as the opening track

    • This ballad has its origin in Scotland, where it’s known as Young Hunting

  • Shirley Collins - Scarborough Fair

    • She’s an English folk singer, and likely one of the best-known names from the English folk revival of the 1960s and 70s

    • That one is from her 1959 album False True Lovers

    • The song is a fragment of an incredibly old ballad called the Elfin Knight

    • In the original song a girl hears the distant blast of an elfin knight's horn and wishes he were in her bedroom

    • He immediately appears, but won’t consent to be her lover until she answers a series of riddles

  • The Golden Gate Quartet - Comin’ in on a Wing and a Prayer

    • They are a vocal quartet formed in Virginia by four high school students in 1934

    • They are still active today, but have obviously undergone multiple changes in membership

    • World War II song from 1943 with lyrics by Harold Adamson and music by Jimmy McHugh

    • Their version is from that same year

  • Pete Seeger - Pepsi-Cola

    • Seeger was a folk singer and an activist who advocated for Civil Rights, environmental causes, and peace through his music

    • Off his 1959 album Folk Songs for Young People

  • Jerry Houck - Sweet Sunny South

    • This is off the recent Smithsonian Folkways album The Village Out West: The Lost Tapes of Alan Oakes, which is a collection of field recordings from the 1960s California folk scene

    • Houck is from San Diego, and he worked from 1959 to 1962 at the Sign of the Sun Folk Music Center

    • He was deeply influenced by the musicians who performed there, including Mississippi John Hurt, Hedy West, Bessie Jones, Skip James, New Lost City Ramblers, and Rev. Gary Davis

    • Through the San Diego State College Folk Music Club, Sam Hinton and Stu Jamieson inspired his banjo playing and singing

    • This song dates back to the 19th century, though the origins aren’t exactly clear

  • Walter Ferguson - 72 Weeds

    • He is a Costa Rican calypso singer born in 1919 who has spent almost his whole life in Cahuita, a small fishing village

    • He started recording his music on tapes in the 1970s after one of his sons gave him a tape recorder, and he sold his music to travellers from around the world

    • Ferguson did this until the 1990s, when he retired from music

    • In 2018, to recover some of his lost music—since each tape was unique and he never wrote down his lyrics—one of his sons put out a call for help to find more of his tapes in preparation for his 100th birthday, which resulted in a worldwide effort and several volumes of newly discovered music

    • Ferguson is now 103 years old

  • Miles & Bob Pratcher - All Night Long

    • This is a field recording made of the Pratcher brothers on their front porch by Alan Lomax in Como, Mississippi in September of 1959

    • They were neighbours of the blues musician Mississippi Fred McDowell, but they came from an earlier musical generation, and retained the country dance music that would’ve been heard at local picnics and parties in their region at the turn of the century

    • Lomax wrote that, “Their music represents an early, important, but little known stage in the development of the blues”

  • Wade Hemsworth - Ye Girls of Old Ontario

    • A respected Canadian folksinger from Brantford, Ontario

    • Only wrote about 20 songs during his career, though many of them, such as The Black Fly Song, The Logdriver’s Waltz, and The Wild Goose are so ingrained in Canadian culture that people consider them traditional Canadian folk songs at this point

    • This is a lumberjack song similar in content to many other English and French shanty songs

  • Rosalie Sorrels - I Left My Baby

    • She started out as a folksinger and collector of folk songs, and left her husband in the 1960s to travel across America with her five children, establishing herself as a performer and making connections with other folk musicians, writers, and artists

    • She died in June 2017 but is remembered for her storytelling abilities

    • This song is from her 1961 album of Folk Songs of Idaho and Utah

    • It’s a lullaby that’s likely Gaelic in origin, as there are several lullabies from the Orneys and Hebrides that tell of a child who is carried away by fairies, and whose mother searches for him in vain

    • The song was previously unreported in the United States, though a version with Gaelic words, the title of which translates to The Sweet Little One, has an almost identical story and tune

    • Sorrels learned it from Mary Lou Rhees of Boise, Idaho.

  • Nora Brown - The Very Day I’m Gone

    • She’s a young banjoist and singer who carries on the old-time tradition

    • She’s found mentors in many folk masters, including the master banjo player Lee Sexton of Kentucky, the female bluegrass pioneer Alice Gerrard, and founder of the New Lost City Ramblers John Cohen

    • This is from her album Sidetrack My Engine, which came out last year

    • She learned the song from the duo Anna & Elizabeth’s version, though it’s by the ballad singer Addie Graham of Eastern Kentucky

  • Kaia Kater - West Virginia Boys

    • From Toronto

    • This is an American song that’s part of a long tradition of songs which advise young girls against associating with boys from neighbouring areas

  • Willie Dunn - The Dreamer

    • Was a Mi’kmaq musician, film director, and politician from Montreal

    • This song is off his 1980 album The Pacific

  • Elizabeth Cotten - When I Get Home

    • Known primarily for her guitar picking style, though she also learned banjo at an early age

    • Self-taught and was left-handed but learned to play on a right-handed banjo

    • An old revival hymn played and sung in a sombre manner in small country churches in the early 20th century

  • Edmund Henneberry - Captain Conrod

    • This is from an album of Nova Scotia folk songs, and this one is particular to Nova Scotia, specifically Halifax

    • Henneberry was from Devil’s Island, NS

  • Bruce Cockburn - Blind Willie

    • Canadian singer-songwriter and skilled guitarist who’s been playing professionally for over 40 years

    • Off his 2019 album Crowing Ignites


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Barking Dog: June 2, 2022

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Barking Dog: May 19, 2022