Barking Dog: February 8, 2024

  • Lonnie Johnson - Hard Times Ain’t Gone No Where

    • It’s his 125th birthday today

    • American blues and jazz singer born into a family of Louisiana musicians in 1899

    • Pioneer of jazz guitar and jazz violin

    • Recognized as the first to play an amplified violin and as one of the originators of the single-string guitar solos that are so popular in contemporary rock, blues, and jazz

    • This was recorded for Decca Records in 1937

  • Tom Rush - I’d Like to Know

    • He’s 83 today

    • He’s a musician and songwriter from New Hampshire who began his music career in the early 1960s

    • This is from his 1965 self-titled album

    • The song is by Woody Guthrie, who wrote it later in his life, and it’s been widely recorded since

    • It uses the tune of the hymn “Farther Along

  • Jake Xerxes Fussell - Furniture Man

    • From Durham, NC

    • This is a Lil McClintock song originally released in 1930

    • Fussell says of the song: “There are a lot of variants of the “furniture man” character out there in different folksongs. Country preachers even recorded sermons about the furniture man. The furniture man, the rent man, whatever you want to call him. The guy who’s always there to collect a debt of some kind, whether you really owe him or not. Devil without any horns. It was a big topic for a while there, and in many ways, it still is”

    • What makes this particular song interesting is that McClintock wrote and recorded the song as an advertisement for a specific furniture store, but Fussell turns it into a critique of the system that unjustly stripped people of their possessions

  • John Lee Hooker - How Long Blues

    • He was a Mississippi blues musician known for adapting the Delta blues for electric guitar, though this is an acoustic recording from the 1960 album The Country Blues of John Lee Hooker

    • The song was first recorded by Leroy Carr and Scrapper Blackwell in 1928, and was one of the very first blues standards

  • Dick Reinhart - Rambling Lover

    • He was a country musician and actor from Oklahoma

    • This one was recorded for Brunswick Records in 1929

    • It’s a version of “Girl I Left Behind Me,” also known as “Maggie Walker Blues”

  • Terry Callier - Oh Dear, What Can the Matter Be

    • Was a Chicago folk and jazz artist who got his start in the 60s and continued to play on-and-off until his death in 2012

    • This is from his 1968 album The New Folk Sound of Terry Callier

    • This is a traditional English song and nursery rhyme from at least the 18th century

    • It has also been popular in the United States for several centuries

  • Logan English - Little Brown Dog

    • He was a folksinger, playwright, and actor from Kentucky who’s known for his involvement in the 1960s Greenwich Village folk scene

    • He’s remembered particularly for being the MC at the coffeehouse Gerde’s Folk City, and for recording one of the earliest albums in tribute to Woody Guthrie

    • This is from his 1962 album American Folk Ballads

    • He got this song from a collection of children’s songs collected by composer Ruth Crawford Seeger, who got it from Herbert Halpert’s recording of a woman in Mississippi named Birmah H Grisson

  • Bob Dylan - Tattle O’Day

  • Jack Johnson - Mama You’ve Been On My Mind / A Fraction of Last Thoughts on Woody Guthrie

    • He’s a musician from Hawai’i who’s been playing since the 1990s

    • This song was written by Bob Dylan in 1964

    • We heard part of Dylan’s poem “Last Thoughts on Woody Guthrie” at the end

    • Johnson’s recording is from the soundtrack for the 2007 film I’m Not There, which is based on the different eras of Dylan’s life

  • Cara Luft - Black Water Side

  • Angel Olsen - The Blacksmith

    • She’s a contemporary American musician

    • From the 2015 tribute album Shirley Inspired, which is a compilation album in honour of the English folk singer Shirley Collins’ 80th birthday

    • A traditional English folk song first collected by Ralph Vaughan Williams in Herefordshire in 1909

  • Jesse Matas - Sleep

    • From Manitoba

    • From his 2018 album Tamarock

  • Nimrod Workman - Oh Death

    • American singer, coal miner, and union organiser who spent much of his life in West Virginia

    • Workman worked as a coal miner for 42 years until he had to retire because he contracted black lung

    • After his retirement, he advocated for miners with black lung and also became known as a folk singer

    • He performed all around the Appalachian region and at the Smithsonian Folklife Festival

    • He also received a National Heritage Fellowship from the United States National Endowment for the Arts, the highest honour in folk art in the US

    • Died in November, 1994 at the age of 99

    • A traditional folk song from the Appalachian region of the United States

  • Reverend Anderson Johnson - Death in the Morning

    • He was a preacher, singer, and painter from Newport News, Virginia

    • He began preaching when he was 8, and travelled across the country preaching for around 40 years

    • This one was recorded in 1953

  • Hesperus & Mike Seeger - O Death / La Rota

    • Seeger was a folklorist and musician who co-founded the New Lost City Ramblers in the 1950s

    • Hesperus is a traditional music ensemble originally founded in 1979 to play early European music and American traditional music, though more recently it has focused on scores for 1920s silent films

    • From the 1988 album Crossing Over: A Fusion of Medieval and Appalachian Music

    • “La Rota” is a 14th century Italian dance tune

  • Anne Helderman - A Poor Lone Girl in Saskatchewan

    • This is from the 1963 album Folksongs of Saskatchewan, collected and recorded by Barbara Cass-Beggs, a folk song collector and musician from England who moved to Canada in the late 1930s

    • We’ve played versions of the song from Ontario before

    • It began circulating in Ontario in the late 19th century when the young men of Ontario were being lured to Saskatchewan and Alberta by the offer of free homesteads

    • Once southern Saskatchewan and Alberta were settled, land offers continued in the Yukon and Northwest Territories

    • Helderman’s mother first learned the song when she was living in Ontario, and brought it to Manitoba in 1882 when she moved west

    • Anne learned it as a small child, and moved to Saskatchewan as an adult to teach, where she then changed the words to suit her environment

    • Everyone mentioned is someone she knew around the Regina Beach area

  • Wade Hemsworth - Donkey Riding

    • Wade Hemsworth was a respected Canadian folksinger known for the “Black Fly Song” and many others

    • Many believe the “donkey” referred to is the steam donkey, a type of general-purpose steam engine

  • Pete Seeger - Hieland Laddie

    • Seeger was a folk singer and activist from New York who advocated for Civil Rights, environmental causes, and other important issues through his music

    • This is a live recording from a concert Seeger gave at Bowdoin College in Maine in 1960

    • It’s a traditional Scottish folk song and sea shanty, with versions sung as far back as 1840 in Mobile Bay, Alabama and among Scottish sailors unloading cargo in Canadian ports, thus the Canadian geographical references

    • The college student that Seeger learned the song from was none other than Joe Hickerson, who went on to be Librarian and Director of the Archive of Folk Song at the Library of Congress for 35 years

  • David Rovics - Children of Jerusalem

    • He’s a musician and writer based in Oregon who’s been touring internationally since the 1990s

    • From his 2001 album Living In These Times

  • David Francey - Poorer Then

    • Scottish-born Canadian folksinger who worked as a railyard worker and carpenter for 20 years before pursuing folk music at the age of 45

    • From his 2018 album The Broken Heart of Everything

  • Ferron - Ain’t Life a Brook

    • She’s a musician and poet from BC

    • This one’s from her 1980 album Testimony

  • The Osmond Davis Band - I’ve Just Seen the Rock of Ages

    • Manitoba band

    • John Brenton Preston of Paris, Kentucky composed both the lyrics and music for this song

    • He wrote it while he was in prison, scratching the lyrics into the floor of his cell with a pebble

    • Preston met Ralph Stanley of the Stanley Brothers while on parole sometime in the 1970s, and Stanley learned the song from him and popularised it through his performances

  • Stan Rogers - Make & Break Harbour

    • Born and raised in Ontario, but his music was influenced by his time spent visiting family in Nova Scotia during his childhood

    • This song was originally released on his 1977 album Fogarty’s Cove, but the version we heard is from the posthumously released 1993 live album, Home in Halifax, recorded in 1982

  • Charles Owen - The Welcome Table

    • From an album of folk music from Nova Scotia, recorded by folklorist Helen Creighton around 1954

    • This is a gospel song that was also important during the Civil Rights Movement

    • It was likely brought to Nova Scotia with the thousands of formerly enslaved people who immigrated there after the war of 1812

    • Charles Owen was 99 years old when Creighton recorded him for her album

    • He was still walking to town every day when weather permitted, and lived to at least the age of 101

  • Rev ME Holmes - Sign of Judgement

    • Recorded in Baltimore, Maryland around 1951

    • This is a traditional gospel song from the southern US

  • The McIntosh County Shouters - Sign of the Judgement

    • Many elements of the slave shout tradition come from West Africa, though the tradition is also related to other African diasporic traditions from Brazil and Cuba

    • The word “shout” in this case comes from an Afro-Islamic term for a sacred dance, and doesn’t refer to the vocalisation present in the songs

    • The McIntosh County Shouters have been performing since 1980, though the slave shout tradition has been passed down since the time of slavery

    • This one’s from the 1994 Folkways album Wade in the Water, Vol. 2: African-American Congregational Singing

    • They recorded the song at the Smithsonian Festival of American Folklife in the summer of 1990

  • Sam Amidon - I See the Sign

    • Contemporary folk artist from Vermont

    • From his 2010 album of the same name

  • Tony Schwartz - Rhythm and Work

    • He was a sound archivist, media theorist, advertising creator, and graphic designer from New York City who recorded copious amounts of ambient sounds, spoken word, and music for albums released by Folkways and Columbia and hosted a radio show called “Around New York” for 30 years on WNYC

    • From his 1954 album Millions of Musicians

  • Dave Van Ronk - Rocks and Gravel

    • A member of the Greenwich Village folk scene in New York City, known as the “Mayor of MacDougal Street”, MacDougal Street being where practically every coffeehouse in New York was located in the 1960s

    • Off his 1963 album In the Tradition

    • It’s a traditional American prison work song, first collected by Alan Lomax in the 1940s

  • The Men of No Property - The Internee

    • This is from the 1977 Folkways album England’s Vietnam—Irish Songs of Resistance: Sung by the Men of No Property

    • The Men of No Property were Belfast-born musicians Barney McIlvogue, Brian Whoriskey, and Irene Clarke, all students who took part in protests and marches in Northern Ireland in 1969 during the Northern Ireland civil rights campaign

    • The song is from the perspective of a wife watching her husband being dragged from bed and interned at Long Kesh Detention Centre without charge or trial during the Troubles in the 1970s

  • Ernest Sellick - Drimindown

    • From the folklorist Helen Creighton’s 1962 album of music from the Maritime provinces

    • Sellick, from Charlottetown, PEI, learned this song from his father, who used to sing it as a bedtime song

    • It’s described as a humorous lament, and is quite possibly Irish in origin

  • Hobart Smith - Chinquapin Pie

    • An old-time musician who was rediscovered in the 60s after performing throughout the first half of the 20th century, often with his sister Texas Gladden

    • Smith popularised this old tune

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